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Sarah Cracknell: It’s about how we remember things and how we misremember things. Ted Stansfield: Can you tell me about the new album, Sarah? Here, McLellan and Saint Etienne frontwoman Sarah Cracknell explain how it all came together. A romantic and rose-tinted lens on life for young Britons at the precipice of the new millenium, it is a work of outstanding beauty and a remarkable visual accompaniment to Saint Etienne’s latest record. With costume design by AnOther Magazine fashion director Ellie Grace Cumming, the film is the result of almost 12 months of work and just shy of 45 minutes long. Inspired by the band’s new album and the period in which McLellan, then in his teens, discovered Saint Etienne’s music, the film is imbued with a heavy but happy sense of nostalgia, depicting people young and in love, basking in the sun, bathing in the water at Aysgarth Falls, and bouncing to music that blares out of the stereo of a car parked in a field. Soaked in sunshine (a pleasant contrast to the rain-sodden reality of the past three months), the film takes us on a whistlestop tour of the UK from St Paul’s Cathedral in London, to Aysgarth Falls in the Yorkshire Dales (close to where the photographer, filmmaker and AnOther Magazine contributor grew up), Grangemouth in Scotland, Portmeirion in Wales, an oil refinery in Southampton and even Stonehenge. The summer, actually, that we had last year. The summer we wanted to have, but didn’t quite get. The film that Alasdair McLellan has created for Saint Etienne’s new album I’ve Been Trying To Tell You captures the perfect British summer.
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